Diese Arbeit beschäftigt sich mit dem Phänomen des strikten Anikonismus in der frühbuddhistischen Kunst am Beispiel des „Buddhapada“, dem Fußabdruck des Buddhas. Die verschiedenen Darstellungen der Anwesenheit des Buddhas werden analysiert und an drei Reliefs erläutert, die aus unterschiedlichen, buddhistischen Regionen stammen.
Die Arbeit skizziert zunächst den Buddhismus als faith mit verschiedenen Kernpunkten. Danach wird die Epoche der frühbuddhistischen Kunst vorgestellt und anhand von drei Buddhapada-Abbildungen erläutert.
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